Sarah M. Eden is a USA Today Bestselling author of witty and charming historical romances, including Foreword Review’s 2013 “IndieFab Book of the Year” gold medal winner for Best Romance, Longing for Home, as well as 2014 Whitney Award winner for "Best Novel of the Year," Longing for Home: Hope Springs. Combining her obsession with history and affinity for tender love stories, Sarah loves crafting witty characters and heartfelt romances set against rich historical backdrops. She happily spends hours perusing the reference shelves of her local library and dreams of one day traveling to all the places she reads about. Her latest novel, The Lady and the Highwayman, will be released September 2, 2019.
About The Lady and the Highwayman
Elizabeth Black is the headmistress of a girls’ school in 1830s Victorian London. She is also a well-respected author of ”silver-fork” novels, stories written both for and about the upper-class ladies of Victorian society. But by night, she writes very different kinds of stories--the Penny Dreadfuls that are all the rage among the working-class men. Under the pseudonym Charles King, Elizabeth has written about dashing heroes fighting supernatural threats, intelligent detectives solving grisly murders, and dangerous outlaws romancing helpless women. They contain all the adventure and mystery that her real life lacks.
Fletcher Walker began life as a street urchin, but is now the most successful author in the Penny Dreadful market, that is until Charles King started taking all of his readers. No one knows who King is, including Fletcher’s fellow members of the Dread Penny Society, a fraternity of authors dedicated to secretly fighting for the social and political causes of their working-class readers. The group knows King could be an asset with his obvious monetary success, or he could be the group’s undoing as King’s readership continues to cut into their profits.
Determined to find the elusive Mr. King, Fletcher approaches Miss Black. As a fellow-author, she is well-known among the high-class writers; perhaps she could be persuaded to make some inquiries as to Mr. King’s whereabouts? Elizabeth agrees to help Fletcher, if only to insure her secret identity is never discovered. What neither author anticipated was the instant attraction, even though their social positions dictate the impossibility of a relationship.
For the first time Elizabeth experiences the thrill of a cat-and-mouse adventure reminiscent of one of her own novels as she tries to throw Fletcher off her scent. But the more time they spend together, the more she loses her heart. Its upper-class against working-class, author against author where readers, reputations, and romance are all on the line.